Experimental Polish artist that makes a variety of movies, often involving striking, symbolic or surreal imagery. His movies are generally too eclectic,
and constantly experimental, however, to allow any categorization beyond this.
A comical, artistic, absurd and surreal portrait of a cult/communal culture in historical Silesia of the 20th Century. This group of locals paint,
study esoteric books, practice alchemy, nurture their various eccentric habits involving light, sex or guns, maintain various spiritual beliefs,
and follow the teachings of their leader who prophesied the world war. When they discover that a ray of light from Saturn will destroy the world,
they search for Angelus, a pure naked lad who will sacrifice himself to save the world. Visually and colorfully astonishing, with a recurring visual
theme of angels as guardians, guides or live statues, and with frequently odd, cartoonish humor. A unique experience, but I'm not quite sure what
to do with this one.
Artsy, surreal vignettes with a poetic, artistic eye and a slight sense of humor, exploring the mind of man in an insane asylum seemingly brooding over
memories of childhood and parents. In this mindset, man is born on desolate mountains while his mother gives birth to a rock, the father finds humiliating
punishments as he grows more rebellious and wild, shoelaces are tied around his body instead of his shoes, there are Freudian undertones and symbolism
concerning the mother, many scenes and allusions involving martyrdom, women as pretty objects with exposed genitals being fondled in a forest or as meat
in a freezer, all cut with oddly amusing scenes from the asylum, the adult life of a man/father living like a dog, his sex life, his career, all blended
surrealistically with the symbols of childhood. Themes involve man's existential absurdities, parenthood, abuse, the obscure object of womanhood, all
reaching an enigmatic conclusion. A somewhat interesting, amusing, dialogue-free, and visually hypnotic art-piece, but too enigmatic or abstract to build-up
Glass Lips (AKA Blood of a Poet)
Primitive man sows the seeds of civilization in the desert and lo and behold, telegraph poles and TVs spring out of the sand. A modern couple is now
living in the sand with all their material possessions (but no walls or floors). A bomb goes off while they have sex, their friend commits murder,
the president arrives for a speech with his entourage, primitive man attacks the president but is crucified, and a man sprays chemicals on their food,
but all this is unimportant in their daily boring and complacent lives, secondary to their crumbling marriage problems, everyone trying to ignore all the sand
around them. A very amusing, simple, and visually striking allegory on modern civilization presented as a series of vignettes.
Gospel According to Harry
Majewski's first is a medieval fable about a knight who grows disenchanted with his king's attitude and goes on a quest to find a magical harp that will
bring harmony to the world. In this quest he encounters a princess, bandits, both hypocritical and saintly monks, and participates in a strange ritual,
dance and orgy in a desert. The focus is mostly on poetic dialogue and imagery however, with striking, occasionally surreal images of battling knights,
a king's court, fools, castles, monks, maidens, forests, medieval dances, etc.
Another meditative film-essay by Majewski full of striking tableaux and surreal imagery, this one on the theme of death, hell and tragedy in this world. The camera
follows a scarred young man who is the sole survivor of an accident that took his girl and friends. He frequently gets tired and has to sleep in public places, bringing
on a wide variety of dreams and visions: His girl dead in a church with an angel, high society gathers in the forest, he interacts with dead people, especially in the
supermarket where he works, a flood of water washes through a church, a TV game-show girl in a bikini appears in his living room, and in the most striking vision: his
dead father ploughs a supermarket with oxen. His personal tragedy combines with one national catastrophe after another that he watches on the news, he explores the hellish
world of Dante, and his aunt tries to console him with both loving care and Stoic philosophy.
Ultimately pretentious operatic musical about various aspects of a family unit with the various forces in it represented as natural symbols.
Family life is explored through four seasons, with plants growing through walls, fountains coming out of dinner tables, weeds growing in the house,
deer eating grass, the son attempting to eat grass, sex, mundane household chores or activities, a paternal influence, a maternal presence, etc.
All this is shown with slowly moving artsy visuals while the opera sings about what we see. For fans of movies like Cremaster only.
Roe's Room, The